Downsizing

★★★ - A Review by Cameron Kanachki

I'm a sucker for satires. Like satires, I also like poking fun at the shortcomings of the bad things in society & the world.

So when I first heard about Downsizing, the new film from Alexander Payne, who directed my favorite darkly comedic satire, 1999's Election, I was instantly sold. It had such a brilliant concept, & a great cast, & I was excited for it to come out.

And then I saw it, & I was disappointed, although I found it to be an ok film overall. Set in the near-future, the film follows Paul Safranek (played by Matt Damon), an occupational therapist for Omaha Steaks. He & his wife, Audrey (played by Kristen Wiig), have major financial issues.

One day, they go to their high school reunion, where they encounter their old friends, Dave (played by Jason Sudeikis) & Carol (played by Maribeth Monroe) Johnson, but there is something different about them. They have become smaller. Way smaller. WAY, WAY, WAY smaller. They have become this way due to the process of "downsizing," an irreversible procedure invented by Norwegian scientists 15 years earlier to help the environment that shrinks humans down to 5 inches. Although the environmental benefits are huge, Dave says the economical benefits are bigger, as your money goes farther when you're small.

So, Paul & Audrey decide to downsize & move to Leisureland, a popular small community. However, while Paul goes through with it, Audrey backs out at the last minute, & files for divorce, not wanting to be away from her parents & friends.

Now single, Paul tries to start anew in Leisureland, regretting his decision. His life is more stressful than he thought it would be. But after he attends a party hosted by his neighbor, Dusan Mirkovic (played by Christopher Waltz), he starts to fit in with his new surroundings.

The next day, still at Dusan's apartment, Paul meets Ngoc Lan Tran (played by Hong Chau), a Vietnamese political activist shrunk against her will by the Vietnamese government, & smuggled into the United States, losing a leg in the process. She is now Dusan's housecleaner. Paul then agrees to help Ngoc Lan help with the people she lives with in the slums of Leisureland. But more problems will arise to the surface.

The cast is great. Damon, Sudeikis & Wiig are good. Waltz is absolutely hilarious, fitting the role of an aging partyboy to a tee. And Chau is nothing short of phenomenal. Looking past her fake Vietnamese accent & fake broken English, there is a lot of emotion in her character.

Alexander Payne's direction is mediocre. His direction starts off great, but takes a bad turn halfway through as he tries to juggle the tonal shifts & new plot directions added on.

The screenplay by Alexander Payne & Jim Taylor is ok. The plot is great to start, but eventually, instead of answering our questions that need to be answered, it adds new stuff that didn't need to be there in the first place.

And Stefania Cella's production design is excellent. The sets of the small communities are so immersive & so brilliantly well-done.

This is a ok, although fairly disappointing film. The acting & visuals save the film. But would I ever downsize if I had the chance? Definitely not. There are just too many risks.

Downsizing was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Friday, December 22, 2017. It is in theaters everywhere. Its runtime is 135 minutes, & it is rated R for language including sexual references, some graphic nudity & drug use.

The Shape of Water

★★★★★ - A Review by Cameron Kanachki

Guillermo del Toro has been one of the most fantastical filmmakers of his generation. He has created many amazing dark fantasies such as The Devil's Backbone & Pan's Labyrinth, which I consider to be his finest work. He perfectly mixes beauty with the macabre.

The Shape of Water, from the first moment I saw the trailer, was one of my most anticipated films of 2017. It looked so intriguing & wondrous. At that point, I was hooked. As more trailers came out, I was even more hooked.

And then I saw it. And I was completely awestruck at the film. Set in 1962 Baltimore, the film follows Elisa Esposito (played by Sally Hawkins), a night shift janitor at the Occam Aerospace Research Center. Elisa was rendered mute by a neck injury she suffered as an infant, & was orphaned, learning to communicate through American Sign Language. She lives a monotonous life, going through the same routine every day. She takes solace in the company of her 2 friends: Giles (played by Richard Jenkins), her middle-aged next-door neighbor who is a closeted gay man & an artist; & Zelda Fuller (played by Octavia Spencer), her African-American co-worker & interpreter at the facility.

One day, the facility receives a tank containing an Amphibian Man (played by Doug Jones) that has been transported from South America by the bigoted & cruel Col. Richard Strickland (played by Michael Shannon). The government is looking into the Amphibian Man for space travel improvements, in order to get a leg up past the Russians. Also joining in with the study is scientist Dr. Robert Hoffstetler (played by Michael Stuhlbarg). While fighting with Strickland, the Amphibian Man bites off 2 of Strickland's fingers, leading Elisa to clean up the bloody mess & encounter the Amphibian Man.

Elisa is fascinated with the Amphibian Man. She begins to spend time with him, feeding him hardboiled eggs, playing music for him & communicating with him through sign language, eventually befriending one another.

Elisa plans to break the Amphibian Man out of the facility, fearing his eventual dissection, vivisection & euthanization. Giles, Zelda & Dr. Hoffstetler, although reluctantly at first, decide to team up with her to break him out. But Strickland will stop at nothing to get the Amphibian Man back, & Dr. Hoffstetler has a secret of his own.

The cast is phenomenal. Sally Hawkins's performance is easily the best of her career & also the best silent performance since Holly Hunter's Oscar-winning performance in 1993's The Piano. Hawkins evokes so much emotion without a single word.

Michael Shannon is also outstanding. Shannon, one of the greatest actors of our age, is absolutely despicable & managed to absolutely terrify me at every moment he's on the screen.

Richard Jenkins is also phenomenal. Jenkins, one of the most underrated actors of all time, gives arguably the most human performance of the film. He has so much conflict inside him & he portrays that so beautifully.

Doug Jones is also a standout. Jones, who has been a go-to guy for del Toro for 20 years now, also evokes so many emotions without a single word & manages to feel human, although he may not look human.

Michael Stuhlbarg is also excellent. Stuhlbarg, who is finally getting some attention after being very underrated for several years, portrays the conflicts inside himself perfectly as well.

And Octavia Spencer is also amazing. Spencer easily gives one of her best performances, serving as an absolute scene-stealer, proving that she needs more lead roles.

Guillermo del Toro's direction is excellent. del Toro has directed his best film yet. His knack for building such intricate fantasy world has never been at a higher caliber as it is here.

The screenplay by Guillermo del Toro & Vanessa Taylor is amazing. The plot is so original, definitely more original than most films out there today. The dialogue & characters are also human & just as interesting as the plot.

Dan Laustsen's cinematography is gorgeous. Laustsen uses a green motif throughout the film, & he seems to have found every, if not close to every, shade of green there is. And it looks so beautiful.

Sidney Wolinsky's editing is excellent. Wolinsky considered this to be a "tall order to pull off" when it came to editing. Well, he most certainly pulled it off, as the editing looks nearly seamless, as the film has not a single bad cut & knows where it's going.

The production design by Paul D. Austerberry is amazing. The sets scream early 1960s, & they look so gorgeous, & they're even more enhanced by the fantastical elements of the film.

The costume design by Luis Sequeira is astounding. The costumes are period-accurate, & are also enhanced by the fantastical elements.

The makeup & hairstyling is outstanding. The makeup & hairstyling is period-accurate, & the makeup for the Amphibian Man is just flawless. It's an absolute shame this didn't make the shortlist for the Oscar for Best Makeup & Hairstyling.

The sound design is incredible. The sounds of the Amphibian Man are especially incredible, as are the sounds of the facility.

Alexandre Desplat's original score is beautiful. The score has an underwater feel to it that sounds so beautiful & heartwarming.

And the visual effects are stunning. The effects of the Amphibian Man are done so well that they don't look computer generated. They look astonishingly real.

This is one of the 3 best films of the year. The performances are top notch, the direction is outstanding, the music is beautiful, & the visuals are an absolutely gorgeous sight to see.

The Shape of Water was seen by me at the MJR Troy Grand Digital Cinema 16 in Troy, MI on Thursday, December 21, 2017. It is in theaters everywhere. Its runtime is 123 minutes, & it is rated R for sexual content, graphic nudity, violence & language.

Darkest Hour

★★★★★ - A Review by Cameron Kanachki

Winston Churchill was arguably the greatest Prime Minister in the history of Great Britain. With his grand speeches & extreme tenacity, he unified the people of Britain in the fight against the Nazi regime in World War II, giving hope to the people & the soldiers. While he was despised by most members of the British House of Commons, including members from his own Conservative party, he managed to become respected at the end of it all.

Darkest Hour is an excellent portrayal of Churchill's turbulent first month in office. Set in 1940, the film follows Winston Churchill (played by Gary Oldman), the Conservative Member of Parliament for the constituency of Epping & the First Lord of the Admiralty. Parliament is at a deadlock: the opposing partiesin Parliament demand that the current Prime Minister, Neville Chamberlain (played by Ronald Pickup), resign due to his policy of appeasement & due to the belief that he is to weak to protect Britain. Chamberlain announces his resignation in a meeting with the Cabinet, naming Viscount Halifax (played by Stephen Dillane) as his successor; however, Halifax declines, despite the full support of him by the Cabinet. Chamberlain then selects Churchill as his successor, believing him to be the only man who can be supported by all parties in Parliament.

Churchill is an interesting man: he's loud, large, & brash. Always at his side is his wife, Clementine (played by Kristin Scott Thomas). Clementime tells Winston that he must warm up in order to win over the population. Also at his side is his new secretary, Elizabeth Layton (played by Lily James), who also types Winston's speeches.

When he is officially named Prime Minister by King George VI (played by Ben Mendelsohn), he is told that he will not be treated with the same respect that he treated Chamberlain, as he considers Churchill to be a bad choice for Prime Minister.

Churchill's first speech in Parliament, calling for a full war against Nazi Germany, without no peace negotiation, is met with disapproval from the Conservatives, forcing Chamberlain & Halifax to consider resigning from the War Cabinet & force Chamberlain out of office. But Operation Dynamo, the operation to evacuate the British soldiers from the beaches of Dunkirk, may save Churchill after all.

The cast is superb. Gary Oldman is phenomenal, & this is definitely the best performance of his career. His performance is an absolute transformation, & his resemblance to Churchill with the makeup is absolutely uncanny. Oldman also gets a lot of Churchill's mannerisms down correctly.

Mendelsohn also does a great job as King George VI, proving himself to be a great actor that is criminally underrated. I personally consider his portrayal of King George VI to be a better portrayal than Colin Firth's Oscar-winning portrayal in 2010's The King's Speech.

Scott Thomas also delivers one of her best performances in a while, probably since her Golden Globe-nominated performance in 2008's I've Loved You So Long. Scott Thomas manages to be a powerful force in her short screen time.

James, Dillane & Pickup are also great in their roles. But this film belongs to Oldman, who we might as well consider him to be the eventual Oscar winner for Best Actor.

Joe Wright's direction is excellent. Wright brings a lot of great panache to the film, livening up the film's to extreme heights.

Anthony McCarten's screenplay is brilliant. Full of dialogue & sharp wit, the script livens up the already energetic plot.

Bruno Delbonnel's cinematography is phenomenal. Delbonnel uses a series of terrific tracking shots, including one that is one of the best shots I've seen this entire year.

Valerio Bonelli's editing is excellent. Bonelli uses a series of quick cuts, much like the cuts popularized by Martin Scorsese, Quentin Tarantino, Paul Thomas Anderson & Edgar Wright.

Sarah Greenwood's production design is amazing. Although it doesn't draw attention to itself, it manages to immerse the audience in the film's time period.

Jacqueline Durran's costume design is excellent. The costumes are similar to the ones worn by the elites & the politicians of 1940s Britain.

The makeup & hairstyling is nothing short of terrific. The makeup & hairstyling have such immense transformative powers, allowing the actors to disappear into their performances.

And Dario Marinelli's score is amazing. The score has such a tense feeling to it, led by the booming orchestral sounds.

This is one of the best films of the year. It is a deeply involving story of a turbulent time in history, led by a truly astounding performance from Gary Oldman.

Darkest Hour was seen by me at The Maple Theater in Bloomfield Hills, MI on Saturday, December 16, 2017. It is in theaters everywhere. Its runtime is 125 minutes, & it is rated PG-13 for some thematic material.

Star Wars: The Last Jedi

★★★★★ - A Review by Cameron Kanachki

I'm just going to get something off of my chest here: I've never been an entirely huge Star Wars fan. I've liked the films (except for 2 of the prequels), but I've never delved deep into the whole saga. I'd only watched all of the films for the first time only before 2015's Star Wars: The Force Awakens, which I thoroughly enjoyed. 2016's Rogue One: A Star Wars Story, while not as great as any of the original Star Wars films or The Force Awakens, was another Star Wars film that I really enjoyed.

But something different happened with Star Wars: The Last Jedi. From the first trailer, I knew that I would really love this film. The second trailer further assured this assumption. And when I walked in the theater to see this film, I felt more anticipation than any other Star Wars film that I've seen.

And it did not disappoint one bit. In fact, it exceeded my expectations. It's fun & extremely well-made. The film once again follows Rey (played by Daisy Ridley), who, along with Chewbacca (played by Joonas Suotamo) & R2-D2 (played by Jimmy Vee) has just found Luke Skywalker (played by Mark Hamill) on the remote planet of Ahch-To. Rey is trying to recruit him for the Resistance, led by General Leia Organa (played by Carrie Fisher). However, Luke declines, still feeling immense guilt over his past involving Kylo Ren (played by Adam Driver), whom he says was corrupted by Supreme Leader Snoke (played by Andy Serkis). However, after some thought, he decides to teach Rey to use the Force.

Meanwhile, after Kylo Ren (played by Adam Driver) & General Hux (played by Domhnall Gleeson) lead a First Order fleet against the Resistance, leading to several TIE fighters destroying part of the Resistance ship, forcing Vice Admiral Amilyn Holdo (played by Laura Dern) to become interim leader. Poe Dameron (played by Oscar Isaac), who was recently demoted by Leia after a recent counterattack against the First Order, is against the passive strategy used by Holdo. Poe, Finn (played by John Boyega), BB-8 & mechanic Rose Tico (played by Kelly Marie Tran) leave the ship to destroy a tracking device on the First Order ship that tracks the Resistance through hyperspace, with the help of Maz Kanata (played by Lupita Nyong'o), while C-3PO (played by Anthony Daniels) stays behind to help with Leia.

The four are led to the planet of Canto Bight, where they meet DJ (played by Benicio del Toro), a servicable codebreaker, who joins them to help destroy the tracking device. But they reach some trouble when they run into Captain Phasma (played by Gwendoline Christie) & are betrayed.

Also, Rey discovers more into what happened with Kylo's defection to the First Order, & finds out things are not as they seem.

The cast is superb. Ridley is phenomenal, & has definitely proved she can act as well as she uses the Force. Isaac, Boyega, Driver & Hamill are also great. Fisher is excellent in her final performance. But the standout is Kelly Marie Tran, who lights up the screen every time we see her.

Rian Johnson's direction is excellent. He further expands the world of Star Wars, & takes a lot of risks that I haven't seen in any Star Wars films that pay off really well.

Rian Johnson's screenplay is amazing. He makes sure all the characters are fully developed, & he adds a lot of humor to the film, which livens up the film even more.

Steve Yedlin's cinematography is excellent. Yedlin showcases many great wide shots, especially in space & on Canto Bight & Ahch-To.

Bob Ducsay's editing is excellent. The film's pacing is excellent, making the 152-minute runtime feel like an absolute breeze.

Rick Heinrichs's production design is phenomenal. The sets, especially the sets of the ships & the planets, are so immersive.

Michael Kaplan's costume design is amazing. The costumes fit perfectly with the sci-fi fantasy themes of the film, with the costumes looking very futuristic & awesome.

The makeup & hairstyling is excellent. The makeup & hairstyling, just like the costumes, are so futuristic & awesome.

The sound design is incredible. Every sound is loud & jarring, & complete immerses the audience. Also, one instance of absolute silence works so perfectly.

John Williams's original score is impeccable. Williams, who is definitely one of the best composers in history, has composed a score that ranks among his best, with his orchestra pulsating throughout the film.

And the visual effects, as always for a Star Wars film, are stunning. The explosions & ships & planets are created with such amazing CGI that they become their own character.

This is one of the best films of the year, & also, quite possibly, the best Star Wars film I've ever seen. It's fun & action-packed, with some of the best technical achievements in the Star Wars saga. I think you can consider me to be a full-on Star Wars fan now.

Star Wars: The Last Jedi was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Saturday, December 16, 2017. It is in theaters everywhere. Its runtime is 152 minutes, & it is rated PG-13 for sequences of sci-fi action & violence.

Wonder Wheel

★★ - A Review by Cameron Kanachki

Annie Hall. Manhattan. Hannah & Her Sisters. Midnight in Paris. These are all some of the greatest films of writer/director Woody Allen. From his earlier slapstick comedies to the later existential dramedies, Woody Allen has always been at the forefront of bringing the neurotic to the big screen. While he has made some bad films in his career (albeit more recently than in the past), Allen has, for the most part, had great success with most of his films.

Sadly, Wonder Wheel, Woody Allen's newest film, is one of his worst films yet. Set in 1950s Brooklyn, the film follows Ginny (played by Kate Winslet), a troubled woman living in a small house near Coney Island. Besides working at the clam house on the boardwalk, she lives an uneventful life at home with her loud & uncouth husband, Humpty (played by Jim Belushi), & her pyromaniac son, Richie (played by Jack Gore).

All this changes with a chance meeting with Mickey Rubin (played by Justin Timberlake), an aspiring writer (also the narrator of the film & this film's Woody Allen-esque character). They start an affair, giving Ginny a much-needed break from the doom & gloom of her everyday life.

This also changes with the return of Humpty's daughter (& Ginny's stepdaughter), Carolina (played by Juno Temple). She's on the run from her gangster husband, & she knows where the bodies are buried. Mickey also takes a liking to her, stating that "the heart has its own hieroglyphics" (an eerily close statement to what Woody Allen stated about his marriage to his ex-partner, Mia Farrow's adopted daughter, Soon-Yi Previn). But this is only just the tip of the iceberg of the problems about to hit their lives.

The cast is great. Winslet is excellent, as always, turning what could've been a lifeless caricature into a living, thriving human character. Temple, Timberlake & Belushi are great as well.

Woody Allen's direction is mediocre. It's a far cry from the direction of his glory days, as the film doesn't know whether it wants to be a neurotic comedy or a melodrama.

Woody Allen's screenplay is terrible. The plot is awful & cliched, & the dialogue is nowhere near what Woody Allen's dialogue used to be. It's trite & way too melodramatic, to the point where the film seems like an unintentional parody of a 1950's melodrama. Also, the subplot of Timberlake's character being attracted to Temple's character is disturbing, considering Allen's aforementioned marriage to Soon-Yi Previn & the allegations of molestation brought on by his adopted daughter, Dylan Farrow.

The cinematography by Vittorio Storaro is excellent. The color palette switches between strong hues of red & blue that shine on the characters.

Alisa Lepstetter's editing is awful. There were several bad cuts throughout the film, & unlike Woody Allen's other films, this film dragged along, even though it had a relatively short 101-minute runtime.

Suzy Benzinger's costume design is amazing. The costumes are very similar to the clothing of working-class Brooklynites in the 1950s.

Santo Loquasto's production design is excellent. Loquasto accurately captures the look & feel of the architecture of 1950s Brooklyn.

And the makeup & hairstyling is great. The makeup & hairstyling match the makeup & hairstyle of the 1950s.

This is a real disappointment. Although it features some great performances & awe-inspiring visuals & design, the direction, screenplay & editing bog the film down a lot. It's time we asked the question: has Woody Allen lost his mojo? And also, what happens when the artist's notably indecent acts in real life start to blur with his work?

Wonder Wheel was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Friday, December 15, 2017. It is showing in 1 theater in the Detroit area: the Michigan Theater in Ann Arbor, MI. Its runtime is 101 minutes, & it is rated PG-13 for thematic content including some sexuality, language & smoking.

The Disaster Artist

★★★★★ - A Review by Cameron Kanachki

The 2003 film The Room has been noted as "the Citizen Kane of bad movies." It is infamous for its horrible acting, terrible direction, awful screenplay, & cheap production values. However, these huge shortcomings have made it into a cult classic that's so bad it's good. It's spawned sold-out midnight screenings around the world every month, where people dress up as their favorite characters, yell at the film, & throw plastic spoons at the screen. In this case, it is this generation's The Rocky Horror Picture Show.

But what if I told you that the craziest film ever made isn't as crazy as the people behind it or the making of the film itself?

The Disaster Artist brilliantly shows the story of the making of The Room, showcasing a successful failure behind the scenes. Based on the 2013 book of the same name by Greg Sestero & Tom Bissell, & set from 1998-2003, the film follows Tommy Wiseau (played by James Franco), a man of unknown heritage (he says he's from New Orleans, which we can definitely tell is false due to his obviously Eastern European accent), undeterminable age (he says he's 19, but we can definitely tell he's at least in his late 40's), & untraceable wealth (he's rich, but we definitely can't tell how he got his wealth). He is unapologetically brash, secretive, & just overall incredibly odd. He lives in San Francisco, but wants to make it big in Hollywood as an actor & director. He is fearless & wants to show everyone what he can do.

One day after an acting class run by Jean Shelton (played by Melanie Griffith), Tommy meets Greg Sestero (played by Dave Franco), a 19-year-old aspiring actor suffering from stage fright. Eventually, they begin a bizarre but strong friendship, & move to Los Angeles to pursue their careers.

In Los Angeles, Greg signs with noted talent agent Iris Burton (played by Sharon Stone), while Tommy is rejected again & again. Greg also starts a relationship with Amber (played by Alison Brie), a bartender. Tommy wants to move back to San Francisco after countless rejections, & Greg's career has stagnated after many failed auditions. Frustrated with their lack of success, Tommy & Greg decide to make their own film.

Out of this situation comes The Room. Over the course of 3 years, Tommy writes the film, which he will also direct. The plot of the film is simple: Johnny, a "true American hero" with good looks & many friends (who Tommy will be playing), lives with his fiancée, Lisa, who is secretly disillusioned with Johnny & is having an affair with his best friend, Mark (who Greg will be playing). Greg, although realizing the script is horrible, tells Tommy it's great & accepts the offer to do the film.

Tommy's approach to film production is awkward to say the least. Instead of renting cameras from Birns & Sawyer, he buys them, & instead of filming on either 35mm film or HD Digital, he films with both cameras simultaneously. Due to this, Bill Meurer (played by Hannibal Burress) & Peter Anway (played by Jason Mantzoukas), the owners of Birns & Sawyer, offer to have them film The Room at their studios. The cast & crew are eventually set: Juliette Danielle (played by Ari Graynor) will play Lisa; Philip Haldiman (played by Josh Hutcherson) will play Denny, the surrogate son of Johnny & Lisa; Carolyn Minnott (played by Jacki Weaver) will play Claudette, Lisa's mother; Dan Janjigian (played by Zac Efron) will play Chris-R, a drug dealer; Robyn Paris (played by June Diane Raphael) will play Michelle, Lisa's best friend; Scott Holmes (played by Andrew Santino) will play Mike, Michelle's boyfriend; & Kyle Vogt (played by Nathan Fielder) will play Peter, Johnny's psychologist friend. The crew includes Sandy Schklair (played by Seth Rogen), who will be the script supervisor (but ends up taking over most of the directorial responsibilities); Raphael Smadja (played by Paul Scheer), who will be the director of photography; & Safowa Bright (played by Charlyne Yi), who will be the costume designer.

The filming goes smooth at first, but manages to get really bad. The film goes past the original shooting schedule, Tommy's narcissism bubbles to the surface, the work environment is extremely toxic, & Tommy forgets his lines from the script that he himself wrote. All of these problems just get bigger & bigger, & when the film finally sees the light of day, no one will be the same.

The cast is excellent. James Franco is nothing short of spectacular. His performance is one of the best of the century, & he should definitely win the Oscar for Best Actor. He completely disappears into Tommy Wiseau, & nails down his mannerisms & the accent.

Dave Franco is also amazing as Greg Sestero. He nails his look, & a great amount of his great performance here comes from his amazing chemistry with his brother, James.

Seth Rogen is also great in his role. At first, his character acts like he's seen & done everything, but realizes that's false later on as he watches the trainwreck unfold.

The rest of the cast, especially Hutcherson, Efron, Graynor & Weaver, nail their small roles & are uncannily similar to the actors they portray & the characters their actors portray.

James Franco's direction is excellent. Franco has directed many duds in his career. But here, he has managed to break out of that bad spell & direct what is by far his best film yet. He seems to have been influenced by Paul Thomas Anderson, as noted when Franco compared the film to a mixture of Boogie Nights & The Master, both films directed by Paul Thomas Anderson. But Franco uses that directorial style extremely well.

The screenplay by Scott Neustadter & Michael H. Weber is brilliant. The film stays very true to the book, & the dialogue is both hilarious & heartfelt. The script could've easily portrayed the cast & crew's efforts as foolish, but instead portrays the efforts in a respectful manner, knowing that at the forefront of The Room, it was made by a man following his dreams.

And the makeup & hairstyling is amazing. The makeup & hairstyling helps allow James Franco to disappear into the role, as Tommy Wiseau's infamous long black hair is enough to make James Franco look unrecognizable.

This is one of the 3 best films of the year. Along with being a hilarious documentation of the making of the best worst film ever made, it's a shining testament to never giving up on your dreams.

The Disaster Artist was seen by me at the MJR Troy Grand Digital Cinema 16 in Troy, MI on Friday, December 8, 2017. It is in theaters everywhere. Its runtime is 104 minutes, & it is rated R for language throughout & some sexuality/nudity.

Coco

★★★★★ - A Review by Cameron Kanachki

Most of the Pixar films in the 2010s have ranged from great (Inside Out) to bad (Cars 2). As many great films they've had, they're starting to put out some duds.

Thankfully, Coco is not a dud. It's a spectacular piece of animated perfection. The film follows Miguel Rivera (voiced by Anthony Gonzalez), a 12-year-old boy in a small Mexican village. He lives with his mother, Luisa (voiced by Sofia Espinosa), his father, Enrique (voiced by Jaime Camil), his grandmother, Elena (voiced by Renée Victor), & his great-grandmother, Coco (voiced by Ana Ofelia Murguía). The family has been making shoes for decades. However, Elena follows the strict tradition set by her grandmother, Imelda (voiced by Alanna Ubach), that no music can be played by any family member. This proves problematic for Miguel, as he wants to become a famous musician like Ernesto de la Cruz (voiced by Benjamin Bratt), who was around during Imelda's generation.

During the Day of the Dead, Miguel discovers a picture on the ofrenda with a person with their face cut out holding a guitar like Ernesto de la Cruz's guitar. Deducing that this is the husband that left Imelda, starting the family ban on music, Miguel enters Ernesto's tomb & takes his guitar to use in a talent show. When he strums the guitar, he discovers he is invisible to everyone in the plaza except for his dog, Dante, & his dead relatives, including Imelda. However, since Miguel accidentally broke the picture when he discovered it, Imelda can't cross over to the Land of the Living. Also, Miguel must return to the Land of the Living before sunrise or he will stay in the Land of the Dead forever. In order to return, he must receive a blessing from a dead relative. Imelda blesses him on the condition that Miguel stops playing music; however, he refuses.

On his way to find Ernesto, Miguel meets Héctor (voiced by Gael García Bernal), a skeleton who once played with Ernesto. In return for helping Miguel find Ernesto, Miguel must help Héctor cross over to the Land of the Living & see his daughter, as she is the only person alive who remembers him. But secrets start to rise to the surface, & the familial bonds will be tested.

The voice cast is excellent. Gonzalez & Bratt are great. But Bernal & Ubach are the standouts, with both providing humor & heartache to their character.

Lee Unkrich's direction is excellent. The world he has created & the vision for the world are both so extremely wondrous beyond belief.

The screenplay by Lee Unkrich, Jason Kats, Matthew Aldrich & Adrian Molina is amazing. The characters are so excellently written, & the script has so much respect for Mexican culture.

Michael Giacchino's score is spectacular. The Mexican-style guitar-driven score is so fun to listen to, & is one of Giacchino's best.

And the animation is miraculous. It's so colorful & pays so much attention to detail that even people who have noticed Pixar's attention to detail will be shocked by the detail here.

This is the best animated film of the year, & one of the best Pixar films of the decade. It's a heartfelt & respectful insight to Mexican culture & the familial ties that bind.

Coco was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Friday, December 1, 2017. It is in theaters everywhere. Its runtime is 105 minutes, & it is rated PG for thematic elements.