Sunday, December 31, 2017

Call Me by Your Name


★★★★★ - A Review by Cameron Kanachki

As I stated in my review of The Big Sick back in July, most romantic films manage to be very formualic, following the exact same plotline that had grown tiresome 30 years ago. But every once in a while, there manages to be a film that defies those cliches & becomes a treasure.

Call Me by Your Name has been one of my most anticipated films of the year ever since its premiere at Sundance back in January, with the acclaim being near-unanimous. After its premiere, I waited anxiously until August, when the trailer was released, hyping me up for this film even more. And when I heard it was coming to Detroit 2 weeks earlier than originally stated, I was so happy. I saw it on a Thursday night screening, in a packed theater, 3 rows from the screen, & I was waiting to see if it met my expectations. It didn't meet my expectations. It surpassed them, & it ended up being such a beautiful cinematic experience.

Call Me by Your Name has become one of those aforementioned treasures, & is definitely one of the best romantic films of all time. Based on the 2007 novel of the same name by André Aciman & set in 1983 Italy, the film follows Elio Perlman (played by Timothée Chalamet), a 17-year-old American boy spending the summer in the Italian countryside with his parents, Annella (played by Amira Casar) & Samuel (played by Michael Stuhlbarg). They go to their Italian villa for the summer, Hanukkah & Christmas, since his mother is Christian & his father is Jewish. He spends his time reading books, transcribing music, swimming in the river, going out at night, & hanging out with his girlfriend, Marzia (played by Esther Garrel).

Samuel, an archeology professor, invites one of his students, Oliver (played by Armie Hammer), a 24-year-old Jewish-American graduate student, to live with them for 6 weeks & help Samuel with archeology work. As a result, Elio gives up his room for Oliver & now sleeps in the spare room, which he deeply resents. Also, Elio, besides their shared Jewish heritage, finds little in common with Oliver, who is more extroverted & carefree, always ending conversations by saying "Later!" Also, Oliver gains attraction from Chiara (played by Victoire Du Bois), a local woman.

The tension between Elio & Oliver is small, but eventually calms when Elio & Oliver come to a truce, eventually starting a friendship. Eventually, Elio becomes attracted to Oliver, & the courtship begins with swims in the river & walks in the town. Their relationship starts to grow further into something more. Together, they navigate their relationship through the summer & become more intimate, finding in each other a true soulmate.

The cast is phenomenal. Timothée Chalamet is an absolute revelation. With this, Hostiles, & Lady Bird, Chalamet has become a major name in Hollywood this year. His performance is the best lead male performance of the year, & as a result, I hope he wins the Oscar for Best Actor. He has the charm of a young Leonardo DiCaprio & the range of a young Edward Norton. He goes through so many emotions throughout the film, & portrays them all so beautifully. Also, he portrays the conflicting feelings of a person coming to terms with their sexual orientation so realistically.

Armie Hammer is also phenomenal. Hammer, who has already given some great performances, namely in 2010's The Social Network & 2011's J. Edgar, has given the best performance of his career. Like Chalamet, Hammer portrays so many different emotions so beautifully, & portrays the conflicting sexual feelings so realistically. Also, his chemistry with Chalamet is so believable that you would believe that they feel like a real couple. He deserves to be nominated for an Oscar for Best Supporting Actor.

Michael Stuhlbarg is also phenomenal. With this, The Shape of Water, & The Post, Stuhlbarg is starting to get the recognition he deserves after years of being one of the most underrated actors in Hollywood. This is the best performance of his career, even better than his excellent performance in 2009's A Serious Man. He is such an absolute scene-stealer in this film, &, in one scene, will leave you in tears. He also deserves to be nominated for an Oscar for Best Supporting Actor.

The rest of the cast, especially Casar & Garrel, is also excellent, playing such small but pivotal roles to perfection.

Luca Guadagnino's direction is outstanding. After having directed independent film successes such as 2009's I Am Love & 2015's A Bigger Splash, Guadagnino has directed his best film yet. Guadagnino's direction is subdued, exerting a calmly arresting atmosphere.

James Ivory's screenplay is beautiful. His screenplay has wonderfully adapted Aciman's novel to the big screen. The screenplay feels so beautifully real. Also, I commend Ivory for his screenplay's positive representation of an LGBTQ+ couple. There aren't any fighting or sad backstories. It's just a loving & beautiful portrayal of a relationship that is sure to connect with all audiences, LGBTQ+ or straight.

Sayohmbu Mukdeeprom's cinematography is gorgeous. Shot on 35mm film, Mukdeeprom's cinematography beautifully captures the relationship & the beautiful sun-draped Italian landscape.

Walter Fasano's editing is excellent. The pacing is perfectly slow, letting the story slowly unfold. There is not a single bad cut in the film, & the film knows where it's going at every moment.

And Sufjan Stevens's original songs are hauntingly beautiful. Stevens, one of my favorite artists of all time, an indie folk artist from Detroit, wrote 2 songs for the film: Mystery of Love & Visions of Gideon, along with a remix of his song Futile Devices from his 2010 album The Age of Adz. All these songs are so amazing, with Mystery of Love being a beautiful portrayal of first love, & Visions of Gideon being a haunting reflection on lost love. Since the Futile Devices remix is ineligible, I hope either Mystery of Love or Visions of Gideon gets nominated & wins the Oscar for Best Original Song, as they are both equally deserving of the award.

This is one of the 3 best films of the year, & one of the best films I've ever seen. It features phenomenal performances, a beautiful screenplay, & some amazing music from the one & only Sufjan Stevens.

Call Me by Your Name was seen by me at the Landmark Main Art Theatre in Royal Oak, MI on Thursday, December 28, 2017. It is in 1 theater in the Detroit area: the Landmark Main Art Theatre in Royal Oak, MI; it will expand to more theaters this Friday, January 5 & next Friday, January 12, & will be in theaters everywhere Friday, January 19. Its runtime is 132 minutes, & it is rated R for sexual content, nudity & some language.

Jumanji: Welcome to the Jungle


★★★★½ - A Review by Cameron Kanachki

I'll just come right out & say it: I've never seen Jumanji. I know, I'm 16 & I should've seen it by now. People are shocked that I haven't seen it, but I've never been interested in it.

So I wasn't interested at first in Jumanji: Welcome to the Jungle. The trailer looked formulaic like most action film trailers. But then I heard some really good reviews about the film, & I decided to see it.

I was definitely surprised; I wasn't expecting to be this fun & great. The film follows 4 high school students: Spencer Gilpin (played by Nat Wolff), Anthony "Fridge" Johnson (played by Ser'Darius Blain), Bethany Walker (played by Madison Iseman), & Martha Kaply (played by Morgan Turner). They are all in detention: Spencer wrote Anthony's English paper for him, Bethany was FaceTiming in class, & Morgan disrespected her P.E. teacher & wondering why P.E. was important to education.

Their task in detention is to clean out an old closet. Spencer finds an old video game system with the video game Jumanji in it. It is a five-player video game, but one player, Jefferson "Seaplane" McDonough (played by Nick Jonas), is already selected. Spencer convinces everyone to play it. Spencer selects Dr. Smolder Bravestone (played by Dwayne Johnson), Fridge selects Franklin "Mouse" Finbar (played by Kevin Hart), Martha selects Ruby Roundhouse (played by Karen Gillan), & Bethany selects Professor Shelly Oberon (played by Jack Black).

They are then transported into the world of the game, with the students becoming their selected characters, with Bethany being dismayed she unknowingly picked a male character. Their task is to return the Jaguar's Eye to a jaguar statue & yell out "Jumanji!" They must get it from big game hunter Van Pelt (played by Bobby Cannavale). Besides finding the jewel & beating the game, they must learn how to better themselves.

The cast is hilarious. Johnson, Hart & Black are both hilarious as always. Gillan finally gets to show off her comedic chops. Jonas actually shows he doesn't suck as a comedic actor. And Cannavale is hilariously over-the-top.

Jake Kasdan's direction is excellent. Kasdan shows he can handle a big-budget film, & shows he actually can direct well again, after the dud that was 2014's Sex Tape.

The screenplay by Jake Kasdan, Chris McKenna, Erik Sommers, Scott Rosenberg & Jeff Pinker is amazing. The jokes in the script always land, & the dialogue isn't formulaic.

The editing by Mark Helfrich & Steve Edwards is ok. It has way too many cuts than it should, like most action films, but it makes sure the film gets to where it's supposed to go.

And the visual effects are amazing. The CGI looks great, & the effects are so immersive.

This is the biggest surprise of the year. While it isn't perfect, it manages to be way better than it has any right to be.

Jumanji: Welcome to the Jungle was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Wednesday, December 27, 2017. It is in theaters everywhere. Its runtime is 119 minutes, & it is rated PG-13 for adventure action, suggestive content & some language.

All the Money in the World


★★★★ - A Review by Cameron Kanachki

The 1973 kidnapping of John Paul Getty III was famous for the fact that John Paul Getty III was the grandson of oil tycoon J. Paul Getty, & infamous for the fact that J. Paul Getty notoriously negotiated the ransom, & eventually decided to loan out the ransom money.

All the Money in the World, while not a perfect account of the kidnapping, is Ridley Scott's best film in 10 years. Based on the 1995 book Painfully Rich by John Pearson, & set in 1973, the film follows Abigail "Gail" Harris (played by Michelle Williams), the mother of John Paul Getty III (played by Charlie Plummer), & ex-wife of John Paul Getty Jr. (played by Andrew Buchan), the son of oil tycoon J. Paul Getty (played by Christopher Plummer). Gail's divorce from Getty Jr. involved no alimony, which left her less well-off.

On July 10, 1973, Getty III is kidnapped in Rome by Cinquanta (played by Romain Duris), a member of the Italian organized crime syndicate 'Ndrangheta. Gail receives a phone call from Cinquanta, asking for a $17 million ransom in exchange for her son. Although she says she doesn't have money, Cinquanta tells her that her ex-father-in-law has "all the money in the world."

Gail travels to Getty's estate, asking for money for the ransom; however, Getty declines, saying this would only lead to his other grandchildren being kidnapped & asking for $17 million each in ransom. Getty asks Fletcher Chase (played by Mark Wahlberg), an ex-CIA agent, to negotiate the ransom.

Things eventually get tense when winter comes to Italy, prompting the kidnappers to ponder on what to do with Getty III. But things get even worse when Getty becomes greedy about the ransom.

The cast is excellent. Michelle Williams is amazing, & this is easily one of the 5 best performances of her career. Mark Wahlberg is also great, doing some of his best work in a while. But Christopher Plummer's performance is by far the best of this film, & one of the 3 best performances of his career, along with 2009's The Last Station & 2011's Beginners. It's even more phenomenal considering he shot it in 10 days, & was signed on with 6 weeks before the scheduled release date, after Kevin Spacey was replaced after his allegations of sexual assault & sexual harassment. In my opinion, Plummer does a better job than Spacey would've done. Plummer looks more believable without having any old-age makeup like Spacey had. Plummer is absolutely cold, heartless, & purely evil here.

Ridley Scott's direction is amazing. Scott has easily directed his best film since 2007's American Gangster. He keeps us at the edge of our seat for the entire film. And it's more of an accomplishment considering the reshoots with Christopher Plummer. Scott's definitely alive & kicking at 80 years old.

And David Scarpa's screenplay is good. While the plot is so undeniably intriguing, the dialogue isn't the best.

This is a really good film, but not entirely great. It has some great performances (especially from Michelle Williams & Christopher Plummer), & great direction from Ridley Scott.

All the Money in the World was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Monday, December 25, 2017. It is in theaters everywhere. Its runtime is 132 minutes, & it is rated R for language, some violence, disturbing images & brief drug content.

Thursday, December 28, 2017

The Greatest Showman


★★★★★ - A Review by Cameron Kanachki

As a theater kid, I've always loved musicals. The ways music can be used to tell a story are so inventive & creative, & it's a shame there aren't as many original film musicals anymore.

The Greatest Showman is a welcome addition to cinema, as this is a great throwback to the classic film musical of the 1940s, 1950s & 1960s. Set in the late 1800s, the film follows P.T. Barnum (played by Hugh Jackman), a shipping company clerk who came from humble beginnings. He still lives a humble life with his wife, Charity (played by Michelle Williams), & their two daughters, Caroline (played by Austyn Johnson) & Helen (played by Cameron Seely).

One day, Barnum is let go when the shipping company closes. Wanting to make a better life, he comes up with an idea to build a museum featuring wax figures & other objects. However, this venture goes under. His children then give him the idea to search for interesting people & less attractive people & use them as performers.

Barnum first hires Charles Stratton (played by Sam Humphrey), a little person who is renamed General Tom Thumb. Next, he hires Lettie Lutz (played by Keala Settle), a bearded lady with a powerful singing voice. He hires others before he hires Anna (played by Zendaya) & W.D. (played by Yahya Abdul-Mateen II) Wheeler, a brother-&-sister acrobatic team.

This venture proves to be very successful; however, the venture is slammed by critics & people protest the showcasing of the performers. Barnum, in order to become more credible with the higher class, hires playwright Phillip Carlyle (played by Zac Efron) to run the show alongside him. Carlyle then starts to become attracted to Anna. Also, he hires famed opera singer Jenny Lind (played by Rebecca Ferguson) for the show as well. But success starts to have its price, as Barnum becomes more withdrawn from his family & society starts to become more angry at the show & its performers.

The cast is phenomenal. Hugh Jackman is so magnetic every time he's on the screen, & his charm & singing voice never fail to intrigue me. Zac Efron also does a great job showing his dramatic chops. Michelle Williams is also great, as always, & shows off her amazing singing skills.

Michael Gracey's direction is excellent. Gracey, in his debut film, has the directing skills of a seasoned veteran, with his atmosphere of wonder & amusement exhuming such strong emotions.

The screenplay by Jenny Bicks & Bill Condon is amazing. The plot is extremely intriguing & the script has some great messages.

Seamus McGarvey's cinematography is astounding. McGarvey's camerawork is so colorful & awe-inspiring & filled with so much panache.

The editing by Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll & Spencer Susser is excellent. The editing uses a lot of quick cuts popularized by some great directors, & the pacing is great, as the film flows along at a fast pace.

Ellen Mirojnick's costume design is amazing. The costumes are period-accurate & so colorful & full of panache.

Nathan Crowley's production design is awe-inspiring. The sets are so colorful, full of panache, period-accurate & immersive.

The makeup & hairstyling is excellent. It's period-accurate, & in some cases, especially in the case of Keala Settle's character, is transformative.

The sound design is incredible. It's loud & fun, & the amazing music only adds to the great sounds emanating from the film.

And the original songs by Benj Pasek & Justin Paul are amazing. The songs are so catchy & well-written & are a joy to listen to.

This is one of the more surprising films of the year. Don't listen to what some critics are saying. It's a fun throwback to the old-fashioned musicals, led by a great performance from Hugh Jackman.

The Greatest Showman was seen by me at the MJR Chesterfield Crossing Digital Cinema 16 in Chesterfield Township, MI on Saturday, December 23, 2017. It is in theaters everywhere. Its runtime is 105 minutes, & it is rated PG for thematic elements including a brawl.

Downsizing


★★★ - A Review by Cameron Kanachki

I'm a sucker for satires. Like satires, I also like poking fun at the shortcomings of the bad things in society & the world.

So when I first heard about Downsizing, the new film from Alexander Payne, who directed my favorite darkly comedic satire, 1999's Election, I was instantly sold. It had such a brilliant concept, & a great cast, & I was excited for it to come out.

And then I saw it, & I was disappointed, although I found it to be an ok film overall. Set in the near-future, the film follows Paul Safranek (played by Matt Damon), an occupational therapist for Omaha Steaks. He & his wife, Audrey (played by Kristen Wiig), have major financial issues.

One day, they go to their high school reunion, where they encounter their old friends, Dave (played by Jason Sudeikis) & Carol (played by Maribeth Monroe) Johnson, but there is something different about them. They have become smaller. Way smaller. WAY, WAY, WAY smaller. They have become this way due to the process of "downsizing," an irreversible procedure invented by Norwegian scientists 15 years earlier to help the environment that shrinks humans down to 5 inches. Although the environmental benefits are huge, Dave says the economical benefits are bigger, as your money goes farther when you're small.

So, Paul & Audrey decide to downsize & move to Leisureland, a popular small community. However, while Paul goes through with it, Audrey backs out at the last minute, & files for divorce, not wanting to be away from her parents & friends.

Now single, Paul tries to start anew in Leisureland, regretting his decision. His life is more stressful than he thought it would be. But after he attends a party hosted by his neighbor, Dusan Mirkovic (played by Christopher Waltz), he starts to fit in with his new surroundings.

The next day, still at Dusan's apartment, Paul meets Ngoc Lan Tran (played by Hong Chau), a Vietnamese political activist shrunk against her will by the Vietnamese government, & smuggled into the United States, losing a leg in the process. She is now Dusan's housecleaner. Paul then agrees to help Ngoc Lan help with the people she lives with in the slums of Leisureland. But more problems will arise to the surface.

The cast is great. Damon, Sudeikis & Wiig are good. Waltz is absolutely hilarious, fitting the role of an aging partyboy to a tee. And Chau is nothing short of phenomenal. Looking past her fake Vietnamese accent & fake broken English, there is a lot of emotion in her character.

Alexander Payne's direction is mediocre. His direction starts off great, but takes a bad turn halfway through as he tries to juggle the tonal shifts & new plot directions added on.

The screenplay by Alexander Payne & Jim Taylor is ok. The plot is great to start, but eventually, instead of answering our questions that need to be answered, it adds new stuff that didn't need to be there in the first place.

And Stefania Cella's production design is excellent. The sets of the small communities are so immersive & so brilliantly well-done.

This is a ok, although fairly disappointing film. The acting & visuals save the film. But would I ever downsize if I had the chance? Definitely not. There are just too many risks.

Downsizing was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Friday, December 22, 2017. It is in theaters everywhere. Its runtime is 135 minutes, & it is rated R for language including sexual references, some graphic nudity & drug use.

Wednesday, December 27, 2017

The Shape of Water


★★★★★ - A Review by Cameron Kanachki

Guillermo del Toro has been one of the most fantastical filmmakers of his generation. He has created many amazing dark fantasies such as The Devil's Backbone & Pan's Labyrinth, which I consider to be his finest work. He perfectly mixes beauty with the macabre.

The Shape of Water, from the first moment I saw the trailer, was one of my most anticipated films of 2017. It looked so intriguing & wondrous. At that point, I was hooked. As more trailers came out, I was even more hooked.

And then I saw it. And I was completely awestruck at the film. Set in 1962 Baltimore, the film follows Elisa Esposito (played by Sally Hawkins), a night shift janitor at the Occam Aerospace Research Center. Elisa was rendered mute by a neck injury she suffered as an infant, & was orphaned, learning to communicate through American Sign Language. She lives a monotonous life, going through the same routine every day. She takes solace in the company of her 2 friends: Giles (played by Richard Jenkins), her middle-aged next-door neighbor who is a closeted gay man & an artist; & Zelda Fuller (played by Octavia Spencer), her African-American co-worker & interpreter at the facility.

One day, the facility receives a tank containing an Amphibian Man (played by Doug Jones) that has been transported from South America by the bigoted & cruel Col. Richard Strickland (played by Michael Shannon). The government is looking into the Amphibian Man for space travel improvements, in order to get a leg up past the Russians. Also joining in with the study is scientist Dr. Robert Hoffstetler (played by Michael Stuhlbarg). While fighting with Strickland, the Amphibian Man bites off 2 of Strickland's fingers, leading Elisa to clean up the bloody mess & encounter the Amphibian Man.

Elisa is fascinated with the Amphibian Man. She begins to spend time with him, feeding him hardboiled eggs, playing music for him & communicating with him through sign language, eventually befriending one another.

Elisa plans to break the Amphibian Man out of the facility, fearing his eventual dissection, vivisection & euthanization. Giles, Zelda & Dr. Hoffstetler, although reluctantly at first, decide to team up with her to break him out. But Strickland will stop at nothing to get the Amphibian Man back, & Dr. Hoffstetler has a secret of his own.

The cast is phenomenal. Sally Hawkins's performance is easily the best of her career & also the best silent performance since Holly Hunter's Oscar-winning performance in 1993's The Piano. Hawkins evokes so much emotion without a single word.

Michael Shannon is also outstanding. Shannon, one of the greatest actors of our age, is absolutely despicable & managed to absolutely terrify me at every moment he's on the screen.

Richard Jenkins is also phenomenal. Jenkins, one of the most underrated actors of all time, gives arguably the most human performance of the film. He has so much conflict inside him & he portrays that so beautifully.

Doug Jones is also a standout. Jones, who has been a go-to guy for del Toro for 20 years now, also evokes so many emotions without a single word & manages to feel human, although he may not look human.

Michael Stuhlbarg is also excellent. Stuhlbarg, who is finally getting some attention after being very underrated for several years, portrays the conflicts inside himself perfectly as well.

And Octavia Spencer is also amazing. Spencer easily gives one of her best performances, serving as an absolute scene-stealer, proving that she needs more lead roles.

Guillermo del Toro's direction is excellent. del Toro has directed his best film yet. His knack for building such intricate fantasy world has never been at a higher caliber as it is here.

The screenplay by Guillermo del Toro & Vanessa Taylor is amazing. The plot is so original, definitely more original than most films out there today. The dialogue & characters are also human & just as interesting as the plot.

Dan Laustsen's cinematography is gorgeous. Laustsen uses a green motif throughout the film, & he seems to have found every, if not close to every, shade of green there is. And it looks so beautiful.

Sidney Wolinsky's editing is excellent. Wolinsky considered this to be a "tall order to pull off" when it came to editing. Well, he most certainly pulled it off, as the editing looks nearly seamless, as the film has not a single bad cut & knows where it's going.

The production design by Paul D. Austerberry is amazing. The sets scream early 1960s, & they look so gorgeous, & they're even more enhanced by the fantastical elements of the film.

The costume design by Luis Sequeira is astounding. The costumes are period-accurate, & are also enhanced by the fantastical elements.

The makeup & hairstyling is outstanding. The makeup & hairstyling is period-accurate, & the makeup for the Amphibian Man is just flawless. It's an absolute shame this didn't make the shortlist for the Oscar for Best Makeup & Hairstyling.

The sound design is incredible. The sounds of the Amphibian Man are especially incredible, as are the sounds of the facility.

Alexandre Desplat's original score is beautiful. The score has an underwater feel to it that sounds so beautiful & heartwarming.

And the visual effects are stunning. The effects of the Amphibian Man are done so well that they don't look computer generated. They look astonishingly real.

This is one of the 3 best films of the year. The performances are top notch, the direction is outstanding, the music is beautiful, & the visuals are an absolutely gorgeous sight to see.

The Shape of Water was seen by me at the MJR Troy Grand Digital Cinema 16 in Troy, MI on Thursday, December 21, 2017. It is in theaters everywhere. Its runtime is 123 minutes, & it is rated R for sexual content, graphic nudity, violence & language.

Darkest Hour


★★★★★ - A Review by Cameron Kanachki

Winston Churchill was arguably the greatest Prime Minister in the history of Great Britain. With his grand speeches & extreme tenacity, he unified the people of Britain in the fight against the Nazi regime in World War II, giving hope to the people & the soldiers. While he was despised by most members of the British House of Commons, including members from his own Conservative party, he managed to become respected at the end of it all.

Darkest Hour is an excellent portrayal of Churchill's turbulent first month in office. Set in 1940, the film follows Winston Churchill (played by Gary Oldman), the Conservative Member of Parliament for the constituency of Epping & the First Lord of the Admiralty. Parliament is at a deadlock: the opposing partiesin Parliament demand that the current Prime Minister, Neville Chamberlain (played by Ronald Pickup), resign due to his policy of appeasement & due to the belief that he is to weak to protect Britain. Chamberlain announces his resignation in a meeting with the Cabinet, naming Viscount Halifax (played by Stephen Dillane) as his successor; however, Halifax declines, despite the full support of him by the Cabinet. Chamberlain then selects Churchill as his successor, believing him to be the only man who can be supported by all parties in Parliament.

Churchill is an interesting man: he's loud, large, & brash. Always at his side is his wife, Clementine (played by Kristin Scott Thomas). Clementime tells Winston that he must warm up in order to win over the population. Also at his side is his new secretary, Elizabeth Layton (played by Lily James), who also types Winston's speeches.

When he is officially named Prime Minister by King George VI (played by Ben Mendelsohn), he is told that he will not be treated with the same respect that he treated Chamberlain, as he considers Churchill to be a bad choice for Prime Minister.

Churchill's first speech in Parliament, calling for a full war against Nazi Germany, without no peace negotiation, is met with disapproval from the Conservatives, forcing Chamberlain & Halifax to consider resigning from the War Cabinet & force Chamberlain out of office. But Operation Dynamo, the operation to evacuate the British soldiers from the beaches of Dunkirk, may save Churchill after all.

The cast is superb. Gary Oldman is phenomenal, & this is definitely the best performance of his career. His performance is an absolute transformation, & his resemblance to Churchill with the makeup is absolutely uncanny. Oldman also gets a lot of Churchill's mannerisms down correctly.

Mendelsohn also does a great job as King George VI, proving himself to be a great actor that is criminally underrated. I personally consider his portrayal of King George VI to be a better portrayal than Colin Firth's Oscar-winning portrayal in 2010's The King's Speech.

Scott Thomas also delivers one of her best performances in a while, probably since her Golden Globe-nominated performance in 2008's I've Loved You So Long. Scott Thomas manages to be a powerful force in her short screen time.

James, Dillane & Pickup are also great in their roles. But this film belongs to Oldman, who we might as well consider him to be the eventual Oscar winner for Best Actor.

Joe Wright's direction is excellent. Wright brings a lot of great panache to the film, livening up the film's to extreme heights.

Anthony McCarten's screenplay is brilliant. Full of dialogue & sharp wit, the script livens up the already energetic plot.

Bruno Delbonnel's cinematography is phenomenal. Delbonnel uses a series of terrific tracking shots, including one that is one of the best shots I've seen this entire year.

Valerio Bonelli's editing is excellent. Bonelli uses a series of quick cuts, much like the cuts popularized by Martin Scorsese, Quentin Tarantino, Paul Thomas Anderson & Edgar Wright.

Sarah Greenwood's production design is amazing. Although it doesn't draw attention to itself, it manages to immerse the audience in the film's time period.

Jacqueline Durran's costume design is excellent. The costumes are similar to the ones worn by the elites & the politicians of 1940s Britain.

The makeup & hairstyling is nothing short of terrific. The makeup & hairstyling have such immense transformative powers, allowing the actors to disappear into their performances.

And Dario Marinelli's score is amazing. The score has such a tense feeling to it, led by the booming orchestral sounds.

This is one of the best films of the year. It is a deeply involving story of a turbulent time in history, led by a truly astounding performance from Gary Oldman.

Darkest Hour was seen by me at The Maple Theater in Bloomfield Hills, MI on Saturday, December 16, 2017. It is in theaters everywhere. Its runtime is 125 minutes, & it is rated PG-13 for some thematic material.