A Ghost Story

★★★★★ - A Review by Cameron Kanachki

Love. Time. Death.

We will encounter all three of those things in our lives, whether we want it or not.

Love is the thing we yearn for. Time is what we wish we had more of. And Death is what some of us fear most.

And all three of things are at the center of A Ghost Story, a beautifully-made masterpiece. The film focuses on a married couple: C (played by Casey Affleck) & M (played by Rooney Mara). C is a struggling musician, while M stays at home. They live in an old & small house in the suburbs. One night, they are disturbed by a noise near their piano, but they can't find the source of it.

Not long after, C is killed in a car accident outside their home. And after that, something out-of-the-ordinary occurs: C awakens & becomes a ghost, wearing a bed sheet with two holes for eyes, much like a Halloween costume.

He watches M grieve for days, weeks, months, & so on. Eventually, M moves out. C, devastated & stuck in the house, tries to find her again. And so, he embarks on a journey through time, looking through the past & future occupants of the house, all in search of finding M again.

The cast is spectacular. Affleck & Mara, who have previously worked together in 2013's Ain't Them Bodies Saints, build on that already excellent chemistry to the point where we feel like we're seeing a real couple on screen, & not actors.

Even with a ghost costume on for most of the film, you can still see the sadness in Casey Affleck in every frame after his death. His performance gives off a cold, but emotional aura, much like his performance for the ages last year in Manchester by the Sea.

Rooney Mara has steadfastly positioned herself as one of the best actresses at the moment. She exhibits grief in a way that we don't see a lot in cinema, especially in an 8 1/2-minute long scene where she consumes an entire chocolate cream pie in order to deal with her grief.

David Lowery's direction is phenomenal. Lowery has proven himself here as one of the best directors in independent cinema at the moment, & he directs the film with an aura reminiscent of the early films of Terrence Malick.

His screenplay is also excellent. The script feels so real & you can definitely understand the characters' feelings of love & loss.

And the cinematography by Andrew Droz Palermo is brilliantly crafted. Shot in a 1.33:1 aspect ratio like old TV sets, the aspect ratio makes us feel claustrophobic.

This is one of the best films of the year so far. To people who don't like slow films or 8 1/2 minute-long scenes of Rooney Mara eating pie, this is not for you. But if you like realistic portrayals of love & grief, this is a film for you. It's a perfect portrayal of love & loss.

A Ghost Story was seen by me at the Landmark Main Art Theatre in Royal Oak, MI on Friday, July 28, 2017. It is currently showing at 4 theaters in the Detroit area, including the Landmark Main Art Theatre in Royal Oak, MI & the AMC Livonia 20 in Livonia, MI. Its runtime is 92 minutes, & it is rated R for brief language & a disturbing image.

Valerian & the City of a Thousand Planets

★★★★★ - A Review by Cameron Kanachki

Until recently, I had never seen a film by the French director Luc Besson. All I knew about Besson is that his 1994 film The Professional was excellent, his 1997 film The Fifth Element & his 2014 film Lucy are both films you'll either love or hate, & most of his other films are not that good.

I will admit, I went into Valerian & the City of a Thousand Planets with mixed expectations: Peter Sobczynski of RogerEbert.com called it "a weirdo sci-fi epic for the ages", while Todd McCarthy of The Hollywood Reporter called it "your Razzie frontrunner." However, I wholeheartedly agree with Sobczynski; it's a delightfully quirky sci-fi masterpiece.

Based on the comic book series Valérian & Laureline by Pierre Christin & Jean-Claude Mézières, & set in the 28th century, the film focuses on Major Valerian (played by Dane DeHaan) & Sergeant Laureline (played by Cara Delevingne), special agents of the human police forces on Alpha, a space station where millions of creatures from different planets live in peace. Valerian wants to marry Laureline, but Laureline is wary of Valerian's womanizing ways.

One day, Valerian has a dream of an idyllic planet home to a humanoid race being destroyed by space debris. After the dream, him & Laureline are sent to save an animal from the dream called a converter.

Once they retrieve the converter & return to Alpha, the leader of the police force, Commander Filitt (played by Clive Owen), Valerian & Laureline are told of an unknown force infecting the ship, & that they must protect him.

Eventually, Valerian is kidnapped by the humanoids, & Laureline must set off to find him. As they eventually find each other, they team up with Bubble (played by Rihanna), a shapeshifting alien controlled by Jolly the Pimp (played by Ethan Hawke). But Valerian & Laureline eventually find a very sinister conspiracy involving the destruction of the humanoid planet.

The cast is spectacular. DeHaan & Delevingne have a lot of chemistry together, & they make a great duo. Rihanna also gives a great performance. Owen is commanding & fierce. But Ethan Hawke gives the best performance of the film. Hawke, who is one of the best actors of his generation, namely because of his performances in Before Sunrise, Before Sunset, Before Midnight, Boyhood, & Training Day, is cast dramatically against type here. His performance as the aforementioned intergalactic cowboy pimp is so delightfully over-the-top that you can't help but be entranced by it.

Luc Besson's direction is spectacular. You can see his brilliant directorial vision in every single frame of the film, & he adds a fun atmosphere to the film.

His screenplay is excellent as well. The world he has created from his screenplay is filled with such idiosyncratic characters that don't feel like caricatures.

Thierry Arbogast's cinematography is nothing short of wondrous. His camerawork is filled with so many wide shots with so many bright colors, & it's the best aspect of the film.

Julien Rey's editing is great. The film is perfectly paced, & nothing goes on for too long or not long enough.

The costume design by Olivier Bérot is amazing. The futuristic clothing worn by the characters are so impressively done.

The production design by Hugues Tissandier is spectacular. The sets are so immersive that you could just look at them for hours.

The sound design is also wonderful, with the sounds of the spaceships & explosions & battles being absolutely immersive.

And the visual effects are an absolute treasure. The CGI world created by the effects team is so effortlessly put to screen that they become another character themselves.

This is a film that most people will either love or hate. And as you can see from the two reviews I mentioned above, that definitely is the case. I definitely liked it though. It's a different type of sci-fi film that isn't really seen that often in cinema anymore.

Valerian & the City of a Thousand Planets was seen by me at the MJR Troy Grand Digital Cinema 16 in Troy, MI on Friday, July 28, 2017. It is in theaters everywhere. Its runtime is 137 minutes, & it is rated PG-13 for sci-fi violence & action, suggestive material & brief language.

Dunkirk

★★★★★ - A Review by Cameron Kanachki

"We shall go on to the end. We shall fight in France, we shall fight on the seas & oceans, we shall fight with growing confidence & growing strength in the air, we shall defend our island, whatever the cost may be. We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields & in the streets, we shall fight in the hills, we shall never surrender. And if, which I do not for a moment believe, this island or a large part of it were subjugated & starving, then our Empire beyond the seas, armed & guarded by the British fleet, would carry on the struggle, until, in God's good time, the New World, with all its power & might, steps forth to the rescue & the liberation of the old."

Those famous words spoken in an amazing speech by British Prime Minister Winston Churchill on June 4, 1940 after the 8-day long mass evacuation of 338,226 British soldiers off the beaches of Dunkirk, France, when only 30,000 were expected to be evacuated, showed that while wars aren't won by evacuation, the British would always stand their ground against the Nazi regime in World War II.

The evacuation is so excellently depicted in Dunkirk, the greatest war film ever made. Set over the 8-day period from May 26, 1940 to June 4, 1940, the film follows the evacuation through a tryptich (three perspectives): the people on the land, which takes place over one week; the people on the sea; which takes place over one day; & the people in the air, which takes place over one hour.

On the land, the perspective is shown through the eyes of five people: British Army soldiers Tommy (played by Fionn Whitehead), Alex (played by Harry Styles), & Gibson (played by Aneurin Barnard); Colonel Winnant (played by James D'Arcy), & Commander Bolton (played by Kenneth Branagh). Tommy was the only member of a group of several soldiers to make it to the beach, as the others were killed by unseen German soldiers. On the beach, he finds Gibson. Tommy & Gibson try to get off of the beach by carrying a wounded soldier on a stretcher to a ship, but they are denied passage. They decide to wait on the mole for the next ship. As the next ship arrives, they save Alex from being crushed by the ship. 

While they try to leave, Commander Bolton & Colonel Winnant discuss the matter at hand. Prime Minister Churchill has rejected surrender demands from the Germans, & is adamant that at least 30,000 soldiers be evacuated from the beaches. In order to evacuate as many as possible, he has declared that the British Navy requisition small vessels to help evacuate the men.

On the sea, the perspective is shown through the eyes of four people: mariner Mr. Dawson (played by Mark Rylance); his son Peter (played by Tom Glynn-Carney); Peter's friend George (played by Barry Keoghan); & a Shivering Soldier (played by Cillian Murphy). Although Mr. Dawson does cooperate with the British Navy, he, along with Peter, decide to take the boat themselves to Dunkirk, rather than let the Navy commandeer it. George decides to join impulsively, hoping to do something noteworthy. On their way to Dunkirk, they encounter the Shivering Soldier on the wreckage of his ship, as he was the only survivor of a U-boat attack. The Shivering Soldier is obviously shell-shocked. He, along with many others during the war, will never be the same.

Once the Shivering Soldier is on the boat, he asks where they are headed. Mr. Dawson tells him they are headed to Dunkirk, to which the Shivering Soldier becomes apprehensive towards. He obviously does not want to head back, as there is a good chance they will die. Mr. Dawson tells him that there's no hiding from it & that it is their job to rescue the stranded men.

In the air, the perspective is shown from the eyes of two people: Royal Air Force pilots Farrier (played by Tom Hardy) & Collins (played by Jack Lowden). They are to provide air support to the troops at Dunkirk, with adamant instructions to ration as much fuel as possible. Farrier's fuel gauge has malfunctioned, but he continues on. When a Luftwaffe plane shoots down the squadron leader, Farrier assumes command.

The cast is excellent. Hardy, Rylance, Murphy & Branagh give excellent performances as they always do, & I wouldn't be surprised to see them considered as Oscar contenders. But the best performances come from the two acting newcomers: Harry Styles & Fionn Whitehead. 

Styles, known for being the frontman of the boy band One Direction, surprised me with his stunning performance. I was apprehensive about his casting in the film, as I was not impressed with him during his time in One Direction, which I hate with a burning passion (although he is so much better as a solo artist). But alas, singing ability does not correlate with acting ability, & his performance is one of the best acting debuts in recent memory.

Whitehead, coming from relative obscurity (his only other acting credit being the 2016 British miniseries HIM), gives an excellent debut performance. Compared to a young Tom Courtenay by director Christopher Nolan, Whitehead exhibits an amazing force of tenacity not shown much in acting debuts. His performance is definitely the best of the year so far.

Christopher Nolan's direction is excellent, & this is by far his best film yet. Having directed a masterpiece every time he's been behind the camera, Nolan ditches his usual tactic of screwing with your mind for a different kind of war film. He called the film more of a suspense film, than a war film, & also stating that it doesn't concern itself with the bloody aspects of war. And I commend Nolan for that. Even without showing the graphic details of war, Nolan still makes this film so gripping & intense, & to be perfectly honest, it made me feel more tense than I felt when I watched Saving Private Ryan. Also, I commend Nolan for his idea to not show one single German in the film. Even without them being seen, they still give off an overwhelming sense of dread.

And Nolan's screenplay is also excellent. Even though there is not one single character that is the main focus, & even though all the characters have a limited amount of screen time, Nolan still develops them into characters we care about & that have flaws, making them the most genuinely human characters in a war film. And even with a purposefully limited amount of dialogue, Nolan still gives off a lot of emotion in the script.

The only word I can use to describe Hoyte van Hoytema's cinematography is "wow." Shot on IMAX 65mm & 65mm large format film stock & projected on 70mm film, Hoytema's camera work is almost a character itself. Every shot is immaculate, & this is definitely some of the best cinematography in years. 70mm is the best way to see this film, & you should try to see it in this format instead of digital projection.

Lee Smith, Nolan's go-to guy for editing his films since Batman Begins, has edited this film masterfully. Nolan compared editing this film, especially the aerial sequences, to a chess game. Well, he definitely must have decisively won that metaphorical chess game, as this film is perfectly paced & assembled.

Jeffrey Kurland, returning to work with Nolan for the first time since Inception, has made the costumes with an almost precise vision. The uniforms of the members of the British Armed Forces in the film look exactly how they did back in 1940.

Nathan Crowley, also Nolan's main guy for production design, modeled this film amazingly. Everything looks a lot like it did back in 1940, & the sets have done their job: they immersed us into the time the film is set in.

The sound design is impeccable. Every single gunshot, explosion, & engine sound is so immersive. And every sound is loud, especially the sounds of the battle sequences, which were so loud & jarring I was very shaken by it & I felt like I was right there with the soldiers.

Hans Zimmer, one of the best film composers of all time, & one of the best composers in general, has composed his best score yet. Having worked with Nolan since The Dark Knight, & having done an excellent job at composing at not only every film with Nolan, but at every film, Zimmer uses percussion & a recording of a ticking watch for his score, building up the already high amount of tension to a breaking point.

And the visual effects are stunning. Every sequence immerses you, & that's in no small part helped by the explosions of the bombs, torpedoes & missiles fired off.

This is by far the best film of the year so far. It's so tense, bombastic & chaotic, & it doesn't let you go from its tight grip through all 106 minutes of the film.

Dunkirk was seen by me at the AMC Forum 30 in Sterling Heights, MI on Friday, July 21, 2017. It is in theaters everywhere in digital projection, & it is showing in 70mm at the AMC Forum 30 in Sterling Heights, MI & the AMC Livonia 20 in Livonia, MI. Its runtime is 106 minutes, & it is rated PG-13 for intense war experience & some language.

War for the Planet of the Apes

★★★★★ - A Review by Cameron Kanachki

I'll admit, I didn't want to see any of the Planet of the Apes films at first. They never managed to interest me.

However, everyone started to praise War for the Planet of the Apes the moment the first preview screening ended. So I decided to look at the first 2 films: Rise of the Planet of the Apes, & Dawn of the Planet of the Apes. Both films were absolutely amazing sci-fi epics.

At that point, I was sold on seeing this film. And it definitely did not disappoint one bit.

The film focuses once again on Caesar (played by Andy Serkis), who is leading a clan of intelligent apes in the woods in California. The clan is attacked by a military faction named Alpha-Omega, who has some apes in its service who were against Caesar & supported Koba (played by Toby Kebbell). Some Alpha-Omega members are captured by Caesar. Caesar releases them as a peace offering to the humans, & plans to relicate across the desert to stop the fighting. However, before that can be done, Colonel McCullough (played by Woody Harrelson), attacks the clan by himself. Enraged, Caesar, along with Maurice (played by Karin Konoval), Luca (played by Michael Adamthwaite), & Rocket (played by Terry Notary), leave to exact revenge on Colonel McCullough, who is at "the border."

Along the way, after killing a man who tried to shoot them, the apes encounter a young girl (played by Amiah Miller) who happens to be the man's daughter. The girl is mute, having suffered that fate due to the Simian Flu. Maurice names her Nova. Towards the border, they meet Bad Ape (played by Steve Zahn), a former ape at the Sierra Zoo who has obvious psychological damage due to bad treatment from humans. He has knowledge of "the border", stating that it was a "human zoo", which means a quarantine facility. The facility was originally a weapons depot, & is now a base for Alpha-Omega.

The Colonel reveals his bloodthirsty ways of dealing with people who carry the mutated Simian Flu, much to the horror of the apes, & will stop at nothing to kill the apes. Caesar has to set free the apes at any cost, & must rethink his morals & look at what he's become, fearing he's turned into Koba.

The cast is spectacular. Andy Serkis gives an Oscar-worthy performance, & if the Academy has a brain, they will nominate Serkis, which would be a surprise considering the Academy has gone against nominating actors in motion-capture roles. Woody Harrelson also gives a spectacular performance, making you despise him every moment he's on the screen.

Matt Reeves's direction is excellent. Having previously directed the excellent found-footage sci-fi film Cloverfield, the amazing horror remake Let Me In, along with Dawn of the Planet of the Apes, Reeves has directed his best film yet, & his excellent direction is especially shown off in the amazing action sequences that are the best of the year.

The screenplay by Matt Reeves & Mark Bomback is amazing. Creating an atmosphere of dread, sacrifice, & survival, Reeves & Bomback make the story extremely engaging, & make you support the apes & go against humans who are so cruel. They also make the characters so interesting & 3-dimensional, & they also put some amazing political, theological, & social allegories in the story as well.

The cinematography by Michael Seresin is excellent, putting you right into the action at every moment.

The editing by William Hoy & Stan Salfas is excellent. It doesn't use a lot of the frenetic cuts seen a lot in action films these days. Hoy & Salfas don't let any scenes go too quickly without us taking the scene in, & there are barely any continuity errors.

The sound editing & sound mixing are both amazing. Like the cinematography, they both make you feel like you're right in the middle of the action.

The visual effects are an absolute treasure. The motion capture used by the actors make the apes look so lifelike it's so startling.

And Michael Giacchino's score is absolutely beautiful. This score is definitely the best of his career, with the quiet sounds of the piano & other instruments really tugging at the heartstrings.

This is one of the 5 best films of the year so far. It's an absolutely emotional conclusion to an amazing trilogy, & deserves to be hailed as one of the best conclusions to a trilogy of all time.

War for the Planet of the Apes was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Tuesday, July 18, 2017. It is in theaters everywhere. Its runtime is 140 minutes, & it is rated PG-13 for sequences of sci-fi violence & action, thematic elements & some disturbing images.

The House

★★★★½ - A Review by Cameron Kanachki

Will Ferrell is a comedic legend. Amy Poehler is nearing that status. And Jason Mantzoukas could be one. Put them together & you have the basis for a comedic riot.

And that's certainly what The House is: a comedic riot that is the funniest film of the year so far.

The film focuses on Scott (played by Will Ferrell) & Kate (played by Amy Poehler) Johansen, a couple in the idyllic small town of Fox Meadow. Their daughter, Alex (played by Ryan Simpkins), is on her way to college at Bucknell University as the recipient of the annual town scholarship. However, city councilman Bob Schaeffer (played by Nick Kroll) announces that he must revoke the scholarship in order to pay for a new, town superpool. Scott & Kate are absolutely devastated. Not only is their daughter's scholarship revoked, but they don't have any money whatsoever put towards college.

Enter Frank Theodorakis (played by Jason Mantzoukas), a friend of Scott & Kate, whose wife, Raina (played by Michaela Watkins) is about to divorce him due to his gambling problem. Scott, Kate, & Frank decide to go to Las Vegas to win money for Alex to go to college, but they lose their money, & accept that the house will always win.

Frank then has an amazing idea: to start their own underground casino at his house. At first, Scott & Kate are reluctant, but they warm up to it after Frank tells them that Alex will end up being a prostitute if she doesn't go to college. And so they start the casino. They get their friends in on it & it's a big success. But things start to go awry, & all hell breaks loose.

The cast is hilarious. Ferrell gives his best comedic performance since The Other Guys. Poehler gives her best comedic performance yet. And Mantzoukas gives an excellent breakout performance.

Andrew Jay Cohen's direction is solid. There are some faults that are common with a directorial debut, especially a comedy, but it still works out good.

The screenplay by Andrew Jay Cohen & Brendan O'Brien is brilliant. Having previously co-wrote the excellent comedy Neighbors, Cohen & O'Brien build off of an interesting premise into a non-stop laugh riot, filled with some amazing mean-spirited humor.

And this has the best use of the song Woke Up This Morning by Alabama 3 since The Sopranos.

Is it a masterpiece? No. There are definitely a couple rough spots. But did it make me laugh a lot? It certainly did.

The House was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Sunday, July 16, 2017. It is in theaters everywhere. Its runtime is 88 minutes, & it is rated R for language throughout, sexual references, drug use, some violence & brief nudity.

The Big Sick

★★★★★ - A Review by Cameron Kanachki

I think we can all agree that a vast majority of romance films, especially romantic comedies, in recent memory have been bad. They're all so predictable, using the same plotline over & over again. Those cliches has been overused so much.

However, every once in a while, we get a romance film that defies these cliches, & becomes a truly great romance film, like Eternal Sunshine of the Spotless Mind, Before Sunrise, Before Sunset, Before Midnight, All the Real Girls, & (500) Days of Summer.

Thankfully, The Big Sick falls in the latter category. Loosely based on the true story of the film's writers, Kumail Nanjiani & Emily V. Gordon, the film focuses mainly on Kumail (played by Kumail Nanjiani), a struggling Pakistani-American standup comedian in Chicago also working as a part-time Uber driver. His Muslim family, namely his mother, Sharmeen (played by Zenobia Shroff) & his father, Azmat (played by Anupam Kher) have been trying to set Kumail up in an arranged marriage, much to Kumail's chagrin.

At one of his shows, Kumail is "heckled" by Emily (played by Zoe Kazan). After at first agreeing not to date again after having a one-night stand, they end up beginning to date. Kumail fears having to tell his family he is dating a Caucasian woman, knowing they would very much likely disown him. But after Emily finds a cigar box of pictures of women Kumail's parents tried to set him up with, Kumail tells Emily that he doesn't think they'll end up together in the end. Heartbroken by this, Emily breaks up with Kumail.

A few weeks later, Kumail gets a call from a friend of Emily's. Emily was sent to the hospital, & Kumail must go there. When he arrives, Kumail is told that Emily must be placed in a medically induced coma, as she has an extremely serious lung infection. After signing off on it, Kumail contacts Emily's parents, Beth (played by Holly Hunter) & Terry (played by Ray Romano). While Beth is cold towards Kumail, Terry tries to be civil towards him. Eventually, the three begin to bond, as Emily's situation gets worse, & as Kumail reconsiders his outlook on life, love, & religion.

The cast is excellent. Kumail Nanjiani gives an excellent performance. Zoe Kazan lights up the screen every time we see her. Holly Hunter gives her best performance in years, & Ray Romano gives his best performance yet.

Michael Showalter's direction is superb. I'm honestly surprised at his directing abilities, mainly because the only other thing I know Showalter from is from the hilarious comedy Wet Hot American Summer, which is completely different from this on a comedic level. His direction is very subdued, & this film shows his ability of being a great actor's director.

The film's brightest spot is the screenplay. Written by Kumail Nanjiani & Emily V. Gordon, & loosely based on the aformentioned true story of their relationship, the screenplay deals with love in a realistic way unlike many films in recent memory. It also deals with many other complex issues, like illness, religion, & culture. And it hits that perfect balance between comedy & drama.

This is definitely one of the best films of the year so far. It has an absolutely astonishing true story behind it that sucks you in & doesn't let you go.

The Big Sick was seen by me at the MJR Troy Grand Digital Cinema 16 in Troy, MI on Wednesday, July 12, 2017. It is in theaters everywhere. Its runtime is 120 minutes, & it is rated R for language including some sexual references.

Spider-Man: Homecoming

★★★★★ - A Review by Cameron Kanachki

Spider-Man has always been my favorite superhero since childhood, & even through the years where I wasn't big on superheroes. His powers & his identity are what drew me to him.

The Spider-Man film series with Tobey Maguire was excellent, & I loved all 3 films, even Spider-Man 3, which a lot of people haven't liked for its different tone than its predecessors.

The Spider-Man film series with Andrew Garfield was good, but both films could've been better. Both films were too long & their scripts had too many ideas to fit the already long runtime.

And now we have Spider-Man: Homecoming, an excellent beginning of a new Spider-Man film series, now with Tom Holland as Peter Parker, AKA Spider-Man. As Holland's Spider-Man was introduced in Captain America: Civil War, the film focuses on Peter after becoming Spider-Man, & thus after being drafted into the Avengers by Tony Stark, AKA Iron Man (played by Robert Downey Jr.). Although he is not ready yet to become an official Avenger, Stark assures Peter that they will contact him when they need him, & Stark has his former bodyguard, Harold "Happy" Hogan (played by Jon Favreau) keep an eye on Peter.

Peter has struggled to keep his private life & his superhero life separate, & he is struggling even more as he tries to keep it secret from everyone, especially his friends, Ned (played by Jacob Batalon) & Michelle (played by Zendaya), & his Aunt May (played by Marisa Tomei). All of these struggles lead to him to drop out of his extracurricular activities to focus on being Spider-Man.

Meanwhile, Adrian Toomes (played by Michael Keaton), a disgruntled salvager who was fired from cleaning up after the Battle of New York (as depicted in The Avengers), has become an arms trafficker known as Vulture, & he has been in possession of a huge amount of extremely powerful weapons. As Peter has been trying to test his limits of being Spider-Man, Vulture commits more crimes, & Peter must stop him, but must also learn the old adage that with great power comes great responsibility.

The cast is excellent. Tom Holland brings a fresh, new, youthful look to Peter Parker/Spider-Man, who has been de-aged to 15 in this film. Michael Keaton, whose career has had a renaissance as of late, is absolutely intimidating as the villain.

Jon Watts, who is most known for directing the 2015 indie drama Cop Car, directs this film with great precision, especially in the action sequences.

The screenplay by Jon Watts, Jonathan Goldstein, John Francis Daley, Christopher Ford, Chris McKenna & Erik Sommers is excellent. The script has a light tone, a stark contrast from recent films in the Marvel Cinematic Universe, & a lot of dry wit, which works a lot in the film.

Michael Giacchino's score is a vast improvement over his last score for The Book of Henry. Giacchino shows that it was only a small demerit on his record with his excellent score here.

The sound editing & sound mixing are excellent, as the sounds make you feel like you're right in the midst of the action.

And the visual effects are excellent. The effects of the explosions & the superhero outfits worn are absolute spectacles.

This is arguably the best film in the Marvel Cinematic Universe. It takes a different approach from previous Spider-Man films, & has a different tone than other films in the Marvel Cinematic Universe, but those aspects make this film work.

Spider-Man: Homecoming was seen by me at the MJR Marketplace Digital Cinema 20 in Sterling Heights, MI on Monday, July 10, 2017. It is in theaters everywhere. Its runtime is 133 minutes, & it is rated PG-13 for sci-fi action violence, some language & brief suggestive comments.